Tuesday, December 9, 2008

John Singer Sargent Ponte della Canonica painting

John Singer Sargent Ponte della Canonica paintingJohn Singer Sargent Paul Helleu Sketching with his Wife paintingJohn Singer Sargent Morning Walk paintingJohn Singer Sargent In the Luxembourg Gardens painting
Although the residence had been built for a film mogul during the last years of the evidence of a construction budget could be seen anywhere from the entrance foyer to the farthest corner of the last back hall.When steel sagged, when clothes grew moth-eaten on haberdashery racks, when cars rusted on showroom floors for want of customers, the film industry nevertheless flourished. In bad times as in good, the only two absolute December drizzle.Through skeins of rain as fine as angel hair, Ethan could see, in the distance, the final curve of the driveway. The gray-green quartzite cobblestones, polished to a sterling standard by the rain, led to the ornamental bronze gate in the estate wall.During the night, the unwanted visitor had approached the gate on foot. Perhaps suspecting that this barrier had been retrofitted with modern security equipment and that the weight of a climber would trigger an alarm in a monitoring station, he’d slung the package over necessities were food and illusions.[3] From the tall study windows, the view appeared to be a painting of the kind employed in motion-picture matte shots: an exquisitely rendered dimensional scene that, through the deceiving eye of the camera, could serve convincingly as a landscape on an alien planet or as a place on this world perfected as reality never allowed.Greener than Eden’s fields, acres of lawn rolled away from the house, without one weed or blade of blight. The majestic crowns of immense California live oaks and the drooping boughs of melancholy deodar cedars, each a classic specimen, were silvered and diamonded by the

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