Tuesday, October 7, 2008

Thomas Kinkade HOMETOWN MORNING painting

Thomas Kinkade HOMETOWN MORNING paintingThomas Kinkade HOME FOR THE HOLIDAYS paintingWinslow Homer The Houses of Parliament painting
in earthly wedlock. For Jesus’ sake, Amen.
She lay somewhat comforted, but more profoundly disturbed than comforted. For she had never before so clearly put into words, into visible recognition, their religious difference, or the importance of the difference to her. And how important is it to him, she wondered. And haven’t I terribly exaggerated my feeling of it? A “gulf”? And “widening”? Was it really? Certainly he never said anything that justified her in such a feeling; nor did she feel anything of that largeness. It really was only that both of them said so very little, as if both took care to say very little. But that was just it. That a thing which meant so much to her, so much more, all the time, should be a thing that they could not share, or could not be open about. Where her only close, true intimate was Aunt Hannah, and her chief love and hope had to rest in the children. That was it. That was the way it seemed bound to widen (she

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