Edgar Degas Woman Combing Her Hair painting

Edgar Degas Woman Combing Her Hair paintingFrederic Edwin Church Autumn paintingTitian Sacred and Profane Love [detail] painting
did everyone else the notion that the GILES could possibly be female or that Anastasia, despite her sexual history, might be it. On the contrary, it was just that aspect of her biography and former nature that Commenced her in Leonid's eye; he loved her as blindly (it seemed to me) as earlier had Peter Greene, but for just contrary reasons: as a quintessential rapee, an absolutely unselfish martyr to studentdom's lust -- his own included, for he'd once knelt before her in a corner of the Powerhouse, confessed an overmastering desire, and not been denied its satisfaction. He would none of my suggestion that her very docility perhaps aroused the lust that made her its victim."Nyet!" he would shout, slamming one fist into the other and plunging as always about the cell. So far from learning the flunkèdness of her innocence, he would school me in the passèdness of her guilt.
"Lustily I spit on!" he cried. "Chastiness same like!" Celibate co-eds, in his view, were a kind of misers, Ira Hectors of the flesh, and rapists a kind of burglars or book-pirates: flunkèd men whose flunkèdness was made possible by the corresponding flunkèdness