Frida Kahlo Diego and I painting

Frida Kahlo Diego and I paintingDouglas Hofmann Model painting
that, and Culver—who for the moment had been regarding the hike as a sort of careless abstraction, a prolonged evening's stroll—felt a solid dread creep into his bones, along with the chill of the night. Involuntarily, he shuddered. He felt suddenly unreal and disoriented, as if through some curious second sight or seventh sense his surroundings had shifted, ever so imperceptibly, into another dimension of space and time. Perhaps he was just so tired. Freezing marsh and grass instead of wood beneath his feet, the preposterous cold in the midst of summer, Mannix's huge distorted shadow cast brutishly against the impermeable walls by a lantern so sinister that its raging noise had the sound of a typhoon at sea—all these, just for an instant, did indeed contrive to make him feel as if they were adrift at sea in a dazzling, windowless box, ignorant of direction or of any points of the globe, and with no way of telling. What he had had for the last years—wife andseemed to have existed in the infinite past or, dreamlike again, never at all, and what he had